Haydn's ingenious jesting with art

Wit, humor, and comic effects have been commonly noted in accounts of Joseph Haydn's instrumental music from his own day to ours. Haydn's Ingenious Jesting with Art is a unique critical and historical study of this celebrated aspect of the composer's music and the key role of listeners in its success. "Artful jesting" indicates a strategy that involves the listener as an active interpreter of compositional alternatives in a musical work. Wheelock discusses how Haydn, utilizing the subversive potential of wit in a variety of classical forms, genres, and venues, both challenged and affirmed the musical conventions of his day. The book is divided into three sections, each providing a different perspective on the wit and humor of Haydn's music. Part I, "Coming to Terms," takes a multidisciplinary approach to issues of compositional intent and reception history, focusing on changing values of wit and humor in late eighteenth-century literary sources and reviews of Haydn's music.

Chapter 1, "The Musical Joke: A Laughing Matter?" details the productive role of humor in heightening consciousness of play with the most basic classical conventions. Dependent on often subtle ambiguities, these musical jokes challenged listeners' understanding of how convention and invention should interact, engaging them as participants themselves in a process of completing the jest. Chapter 2 traces important distinctions between wit and humor in a broad range of eighteenth-century sources, both German and English. Chapter 3 examines the critical understanding of the composer as humorist. Such views - both favorable and unfavorable - are inextricably linked with changing attitudes toward the proper role of instrumental music, popular taste, and the role of the composer in fulfilling expectations of increasingly mixed audiences. Part II, "Frames of Reference," establishes several models for investigating the process of jesting in Haydn's instrumental works. Chapter 4 explores incongruous mann